| 释义 |
Definition of neoplasticism in English: neoplasticismnounniːəʊˈplastɪsɪzəmˌnēōˈplastəˌsizəm mass nounA style of abstract painting developed by Piet Mondrian, using only vertical and horizontal lines and rectangular shapes in black, white, grey, and primary colours. 新造型主义 Example sentencesExamples - The repercussions of neoplasticism have been widespread, affecting not only art but design and architecture as well.
- Before Piet Mondrian became an originator of De Stijl (or neoplasticism), he painted windmills, cows, and meadows.
- By developing the original ideas of neoplasticism, a free mode of structuring has been achieved, that can be adapted to the most diverse building projects.
- In 1910 he went to Paris, where the influence of cubism stimulated the development of his geometric, nonobjective style, which he called neoplasticism.
- Cubism and some of its progeny, suprematism, neoplasticism, constructivism, futurism, were its aesthetic foundation.
- Lichtenstein's art is entirely different from neoplasticism but at least some of it is structurally very simple as in the case of those shown below.
- Repeatedly Oiticica and Clark refer to neoplasticism and suprematism.
- It may also require his personality, for the equilibrium of neoplasticism was his answer to the anarchy and sensuality of organic nature that he found so repugnant.
- His style, which he called neoplasticism, avoided both the reproduction of real objects or even filtered perceptions of real objects (as in impressionism).
- In keeping with the assumptions underlying first neoplasticism and subsequently concrete art, he sought - in the words of van Doesburg - to free the media of expression from all of their particular aspects so as to be in harmony with the ultimate purpose of art, which is to reach the universal language.
- The term neoplasticism was coined by Mondrian's friend the Dutch mathematician and theosophist M.J.H. Schoenmaekers.
- The style known as neoplasticism only uses vertical and horizontal lines; white, black primary colors red, yellow and blue.
Origin1920s: coined by Piet Mondrian. Definition of neoplasticism in US English: neoplasticismnounˌnēōˈplastəˌsizəm A style of abstract painting developed by Piet Mondrian, using only vertical and horizontal lines and rectangular shapes in black, white, gray, and primary colors. 新造型主义 Example sentencesExamples - Cubism and some of its progeny, suprematism, neoplasticism, constructivism, futurism, were its aesthetic foundation.
- In 1910 he went to Paris, where the influence of cubism stimulated the development of his geometric, nonobjective style, which he called neoplasticism.
- By developing the original ideas of neoplasticism, a free mode of structuring has been achieved, that can be adapted to the most diverse building projects.
- The style known as neoplasticism only uses vertical and horizontal lines; white, black primary colors red, yellow and blue.
- It may also require his personality, for the equilibrium of neoplasticism was his answer to the anarchy and sensuality of organic nature that he found so repugnant.
- Before Piet Mondrian became an originator of De Stijl (or neoplasticism), he painted windmills, cows, and meadows.
- Repeatedly Oiticica and Clark refer to neoplasticism and suprematism.
- The repercussions of neoplasticism have been widespread, affecting not only art but design and architecture as well.
- Lichtenstein's art is entirely different from neoplasticism but at least some of it is structurally very simple as in the case of those shown below.
- In keeping with the assumptions underlying first neoplasticism and subsequently concrete art, he sought - in the words of van Doesburg - to free the media of expression from all of their particular aspects so as to be in harmony with the ultimate purpose of art, which is to reach the universal language.
- The term neoplasticism was coined by Mondrian's friend the Dutch mathematician and theosophist M.J.H. Schoenmaekers.
- His style, which he called neoplasticism, avoided both the reproduction of real objects or even filtered perceptions of real objects (as in impressionism).
Origin1920s: coined by Piet Mondrian. |