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词汇 cut time
释义

Definition of cut time in English:

cut time

noun
North American Music
  • A time signature indicating 2 or 4 half-note beats in a bar; alla breve.

    many fast songs are written in cut time so that instead of reading sixteenth notes, you are dealing with eighth notes
    Example sentencesExamples
    • Although older sheet music often shows songs in cut time, this is generally disregarded in modern performance.
    • It just made me wonder why I see a lot more of cut time than 2/4 when you can just write the note for its true value.
    • Slatkin conducted most of the work in cut time (in two), thus allowing space for quicker tempi that seem fluid and strong, rather than fast.
    • When I see cut-time as a time signature I immediately think one backbeat per measure.
    • The 2 beat pattern is used for all meters such as 2/4 and 2/2 (Cut Time).
    • Cut time will still sound and look the same as common time.
    • The song really has more of a cut-time rhythm (2/2), but I wrote it 4/4 to make it easier to read.
    • You can create variety by changing the texture, including a countermelody, or changing the underlying rhythmic pulse (i.e. if it's a slow song maybe go into cut time [twice as fast]).
    • You know that cut-time bridge is coming in before too long.
    • What is the difference between playing cut time slow or 4/4 fast?

Definition of cut time in US English:

cut time

noun
North American Music
  • A time signature indicating 2 or 4 half-note beats in a bar; alla breve.

    many fast songs are written in cut time so that instead of reading sixteenth notes, you are dealing with eighth notes
    Example sentencesExamples
    • The song really has more of a cut-time rhythm (2/2), but I wrote it 4/4 to make it easier to read.
    • You know that cut-time bridge is coming in before too long.
    • The 2 beat pattern is used for all meters such as 2/4 and 2/2 (Cut Time).
    • Although older sheet music often shows songs in cut time, this is generally disregarded in modern performance.
    • Slatkin conducted most of the work in cut time (in two), thus allowing space for quicker tempi that seem fluid and strong, rather than fast.
    • When I see cut-time as a time signature I immediately think one backbeat per measure.
    • It just made me wonder why I see a lot more of cut time than 2/4 when you can just write the note for its true value.
    • You can create variety by changing the texture, including a countermelody, or changing the underlying rhythmic pulse (i.e. if it's a slow song maybe go into cut time [twice as fast]).
    • Cut time will still sound and look the same as common time.
    • What is the difference between playing cut time slow or 4/4 fast?
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